Compression and the news

The Ukraine crisis is huge: it may end us all. Naturally it’s all over the news. But I’ve been thinking that, before there was an actual world crisis, the 24-hour news feed wasn’t much different in tone. Something really important is happening right now, and you need to read about it here! “World Order Collapses!” isn’t presented much differently than “Sleaze Accused of Sleaziness!”

I thought, oddly, about the takeover of “compression” in contemporary music recording. Audio technology can easily handle variations in volume from a delicate whisper to ear-splitting sound. (A good recording of the William Tell Overture is an example.) But more and more, people are half-listening to the music while they jog through city traffic; they can’t deal with these variations. So the solution is to flatten the dynamic range so everything sounds kind of loud all the time. (People used to blame CDs for this and say that vinyl was better. In fact, CDs are much better at capturing dynamic range; it’s just that producers in the CD era chose the compression path. Now of course, there’s nothing but audio streaming, with its even worse distortions.)

In the world of audio, these are choices that we as consumers made, or at least allowed, and the result is only an impoverished experience of music. When we apply the same mentality – keep everything at 11 all the time – to the news cycle, the resultsfor our minds and souls are a bit more serious.

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